Tag Archives: arbor

Maria Luisa Park in Sevilla: the Garden of the Lions

Maria Luisa, Infanta of Spain (1832-1897) was the younger sister of Isabella II, queen of Spain. She married Antoine, Duke of Montpensier, youngest son of the French King Louis Philippe, and became Duchess of Montpensier.

Most of the grounds that form Maria Luisa Park today where originally part of the Palace of San Telmo and donated by Maria Luisa to the city in 1893 to be used as public gardens. The palace , a magnificent example of Spanish baroque architecture was rehabilitated and converted in the 1990s into the seat of the autonomous government of Andalusia. It stands today just outside Maria Luisa Park.

French urban planner and landscape designer Jean Claude Nicolas Forestier, who also created the Bagatelle Rose Garden and the Laribal Gardens in Barcelona, started work on the park in 1911. Also in preparation of the 1929 World’s Fair, architect Anibal Gonzales began work on the Plaza de Espana building and some of the pavilions.

Under Forestier, who had been heavily influenced by the gardens of Andalusia and Morocco, the Park became a Moorish inspired extravaganza of tiled fountains, ponds, arbors, pavillions and other structures, planted in a lush Mediterranean style with vines, bougainvilleas, roses, palms orange trees and flower beds.

I discovered Forestier’s work when in Barcelona, visiting the stunning terraced Laribal Gardens on the hill of Montjuic.  These gardens lead from fountains to gazebos to arbors to rose gardens to the top of the hill where you discover the sweeping views down the hill with water stairs inspired by the Alhambra leading back down. This element of surprise and wonder is one I have found in all of Forestier’s gardens, whether in Paris at Bagatelle, Morocco at the Jardins d’Essais or here.

This park being such an expansive and complex creation, I am featuring it through several posts.This first one showcases the Garden of the Lions (11) and the Fountain of the Alvarez Quintero Brothers (14) just behind it. Both are stunning in very different ways. The Fountain of the Lions features large fountains surrounded with sculptures and geometrical borders with a clear Moorish influence. The Quintero fountain is a masterpiece of tile work that ties in with the incredibly detailed allover moasaics of the Plaza de Espana at the other end of the park.

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Montjuic’s Greek Theater Gardens in Barcelona, Spain

The Greek Theater Garden started out as a rose garden, the second in Barcelona, and was created in 1929, like many of the gardens in the Montjuic area, for the International Exhibition.

You may think the greek theater itself is older, but it is a replica, also built in 1929. The Epiduro Theater in Athens, Greece, was used as the inspiration, which may be why it looks so authentic. The theater is used for cultural events, first and foremost the Greek Festival, during which many plays and performances take place there.

This lovely garden is adjacent to the Laribal Gardens, and starts with a larger terrace at top with a formal layout of rose borders and trees overlooking the greek theater, then a long pergola allows for sitting and enjoying the view over the rest of the mountain.  Click here for an excellent article on these gardens.

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Maria Luisa Park in Sevilla: Fountain of the Frogs and Island of the Birds

Maria Luisa, Infanta of Spain (1832-1897) was the younger sister of Isabella II, queen of Spain. She married Antoine, Duke of Montpensier, youngest son of the French King Louis Philippe, and became Duchess of Montpensier.

Most of the grounds that form Maria Luisa Park today where originally part of the Palace of San Telmo and donated by Maria Luisa to the city in 1893 to be used as public gardens. The palace , a magnificent example of Spanish baroque architecture was rehabilitated and converted in the 1990s into the seat of the autonomous government of Andalusia. It stands today just outside Maria Luisa Park.

French urban planner and landscape designer Jean Claude Nicolas Forestier, who also created the Bagatelle Rose Garden and the Laribal Gardens in Barcelona, started work on the park in 1911. Also in preparation of the 1929 World’s Fair, architect Anibal Gonzales began work on the Plaza de Espana building and some of the pavilions.

Under Forestier, who had been heavily influenced by the gardens of Andalusia and Morocco, the Park became a Moorish inspired extravaganza of tiled fountains, ponds, arbors, pavillions and other structures, planted in a lush Mediterranean style with vines, bougainvilleas, roses, palms orange trees and flower beds.

I discovered Forestier’s work when in Barcelona, visiting the stunning terraced Laribal Gardens on the hill of Montjuic.  These gardens lead from fountains to gazebos to arbors to rose gardens to the top of the hill where you discover the sweeping views down the hill with water stairs inspired by the Alhambra leading back down. This element of surprise and wonder is one I have found in all of Forestier’s gardens, whether in Paris at Bagatelle, Morocco at the Jardins d’Essais or here.

This park being such an expansive and complex creation, I am featuring it through several posts.This one showcases the Fountain of the Frogs (34 on map) and the Island of the Birds (6, Island of the Ducks on the map).   The whimsical Fountain of the Frog has colorful Andalusian ceramic frogs surroundinga fountain, followed by a pond that leads the Garden of the Lions to the Isleta de los Patos, or Birds Island.  The island provides a sanctuary for the many birds inhabiting the park; its focal point is the Pavilion of King Alfonso XII, which dates back to the time it was part of the San Telmo Palace.

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Maria Luisa Park in Sevilla: the Glorieta de las Conchas and Arbors

Maria Luisa, Infanta of Spain (1832-1897) was the younger sister of Isabella II, queen of Spain. She married Antoine, Duke of Montpensier, youngest son of the French King Louis Philippe, and became Duchess of Montpensier.

Most of the grounds that form Maria Luisa Park today where originally part of the Palace of San Telmo and donated by Maria Luisa to the city in 1893 to be used as public gardens. The palace , a magnificent example of Spanish baroque architecture was rehabilitated and converted in the 1990s into the seat of the autonomous government of Andalusia. It stands today just outside Maria Luisa Park.

French urban planner and landscape designer Jean Claude Nicolas Forestier, who also created the Bagatelle Rose Garden and the Laribal Gardens in Barcelona, started work on the park in 1911. Also in preparation of the 1929 World’s Fair, architect Anibal Gonzales began work on the Plaza de Espana building and some of the pavilions.

Under Forestier, who had been heavily influenced by the gardens of Andalusia and Morocco, the Park became a Moorish inspired extravaganza of tiled fountains, ponds, arbors, pavillions and other structures, planted in a lush Mediterranean style with vines, bougainvilleas, roses, palms orange trees and flower beds.

I discovered Forestier’s work when in Barcelona, visiting the stunning terraced Laribal Gardens on the hill of Montjuic.  These gardens lead from fountains to gazebos to arbors to rose gardens to the top of the hill where you discover the sweeping views down the hill with water stairs inspired by the Alhambra leading back down. This element of surprise and wonder is one I have found in all of Forestier’s gardens, whether in Paris at Bagatelle, Morocco at the Jardins d’Essais or here.

This park being such an expansive and complex creation, I am featuring it through several posts.This first one showcases the northern section of the park. The Glorieta de las Conchas (8) features statues and planted borders arranged around a central fountain. Glorieta de Dona Sol (9) has a beautiful mosaic surrounded by hedges, and Glorieta de Ofelia Nieto (10_ is a meandering arbor covered in trumpet vines and bougainvilleas. At the end of the avenue is the Museum of Archeology (30), also built for the 1929 Exhibition.

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Leading towards the Fountain of the Lions is Gurugu Mountain (15 on the map), a small mad made “mount” with an observation point and gazebo up top. This is a perfect example of Forestier’s playfulness in garden design, interjecting surprises at every turn throughout his gardens.

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Maria Luisa Park in Sevilla: Water-lily Pool (Estanque de los Lotos)


Maria Luisa, Infanta of Spain (1832-1897) was the younger sister of Isabella II, queen of Spain. She married Antoine, Duke of Montpensier, youngest son of the French King Louis Philippe, and became Duchess of Montpensier.

Most of the grounds that form Maria Luisa Park today where originally part of the Palace of San Telmo and donated by Maria Luisa to the city in 1893 to be used as public gardens. The palace , a magnificent example of Spanish baroque architecture was rehabilitated and converted in the 1990s into the seat of the autonomous government of Andalusia. It stands today just outside Maria Luisa Park.

French urban planner and landscape designer Jean Claude Nicolas Forestier, who also created the Bagatelle Rose Garden and the Laribal Gardens in Barcelona, started work on the park in 1911. Also in preparation of the 1929 World’s Fair, architect Anibal Gonzales began work on the Plaza de Espana building and some of the pavilions.

Under Forestier, who had been heavily influenced by the gardens of Andalusia and Morocco, the Park became a Moorish inspired extravaganza of tiled fountains, ponds, arbors, pavillions and other structures, planted in a lush Mediterranean style with vines, bougainvilleas, roses, palms orange trees and flower beds.

I discovered Forestier’s work when in Barcelona, visiting the stunning terraced Laribal Gardens on the hill of Montjuic.  These gardens lead from fountains to gazebos to arbors to rose gardens to the top of the hill where you discover the sweeping views down the hill with water stairs inspired by the Alhambra leading back down. This element of surprise and wonder is one I have found in all of Forestier’s gardens, whether in Paris at Bagatelle, Morocco at the Jardins d’Essais or here.

This park being such an expansive and complex creation, I am featuring it through several posts.This last post features the Water-lily Pool (Estanque de los Lotos).

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On the way from de Island of the Birds to the Lily Pool is the Glorieta de Juana Reina, named after a famous Spanish actress born in Sevilla in 1929.

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Then at the western end of the Park, one reaches the Water-lily Pool (Estanque de los Lotos), a stunning pond bordered by arbors.

 

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To the side is another pond and statuary.

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Towards the exit gate are centennial trees.

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An alley with a series of fountains in the Moorish style to the southern gate.

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Maria Luisa Park in Sevilla: Plaza de Espana

Maria Luisa, Infanta of Spain (1832-1897) was the younger sister of Isabella II, queen of Spain. She married Antoine, Duke of Montpensier, youngest son of the French King Louis Philippe, and became Duchess of Montpensier.

Most of the grounds that form Maria Luisa Park today where originally part of the Palace of San Telmo and donated by Maria Luisa to the city in 1893 to be used as public gardens. The palace , a magnificent example of Spanish baroque architecture was rehabilitated and converted in the 1990s into the seat of the autonomous government of Andalusia. It stands today just outside Maria Luisa Park.

French urban planner and landscape designer Jean Claude Nicolas Forestier, who also created the Bagatelle Rose Garden and the Laribal Gardens in Barcelona, started work on the park in 1911. Also in preparation of the 1929 World’s Fair, architect Anibal Gonzales began work on the Plaza de Espana building and some of the pavilions.

Under Forestier, who had been heavily influenced by the gardens of Andalusia and Morocco, the Park became a Moorish inspired extravaganza of tiled fountains, ponds, arbors, pavillions and other structures, planted in a lush Mediterranean style with vines, bougainvilleas, roses, palms orange trees and flower beds.

I discovered Forestier’s work when in Barcelona, visiting the stunning terraced Laribal Gardens on the hill of Montjuic.  These gardens lead from fountains to gazebos to arbors to rose gardens to the top of the hill where you discover the sweeping views down the hill with water stairs inspired by the Alhambra leading back down. This element of surprise and wonder is one I have found in all of Forestier’s gardens, whether in Paris at Bagatelle, Morocco at the Jardins d’Essais or here.

This park being such an expansive and complex creation, I am featuring it through several posts.This one one showcases the Plaza de Espana. Although not strictly a garden of course, the Plaza de Espana is not only emblematic of the city of Seville, but also the focal point of the park around which much of the gardens are laid out.

It was designed for the World Fair of 1929 and is now used for central government offices. It is a masterpiece of Renaissance Revival architecture, designed by Aníbal González. It features a series of tiled alcoves representing the provinces of Spain.

 

Plaza de Espana is laid out in a half moon, with the building curving around a monumental plaza with canals and tiled bridges. The square is tiled in the peble style so often found around Andalusian patios and squares.

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French Stone Cottage with Roses

This lovely stone cottage is typical of the architecture of the older houses in northern Brittany. Situated in a small coastal fishing village, this front garden is filled with a variety of roses, from shrub roses to climbing roses on trellises and arbors, in shades of pink, red and white.

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Quimper Old Priory Medieval Gardens Part III: Edibles & Tinctorials

In this third and last post on the Priory gardens of Quimper, I am featuring the back of the garden (shown on the left of the map) where edibles are grown, as well as those plants used for making and coloring clothing.

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Quimper Old Priory Medieval Gardens Part I: Medicinal & Aromatic Plants

Work on this garden was started in 1997 to create a medieval garden in the style of a convent garden in the days of Anne of Brittany (1477-1514).  The population at the time resorted to plants for most of their needs: food, medicine and clothing.

The garden has three essential components. The medicinal and herb garden,  used by monks to make their own remedies from plants not readily available in the surrounding areas and therefore grown in the garden.

The edible garden: nutritious roots, fruit, fresh or dried, beans, barley, and other garden crops made up the menu of the time.

The tinctorial garden grew plants used for clothing such as hemp, linen or catharmus which was used for red coloring.

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Note also that the medival garden is a representation of Paradise, with the fountain in the center representing the pure source from which the four rivers of Eden originate.  Plants such as white lilies and other white flowers represent the virgin.

In this first post, I am featuring the front portion of the garden, with the medicinal and herb section.

This is one of the loveliest gardens in this style I have had the chance to visit and it was also awarded “Jardin Remarquable” (remarkable garden”. It was designed not only for function but also form, with a pavilion, arbors, pergolas, benches in cozy nooks, decorative borders for raised beds, woven Plessis, and a fountain, making it a feast for the eyes as well as the palate. It also overlooks the river Odet, making it a truly enchanting setting.

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Landscaped Orchard Garden and arbor near the sea

Much like the Normandy region, Brittany, France is known for its apples. Countless varieties are grown in every garden of Brittany. This garden divided a small orchard from a vegetable garden area with a rustic wood arbor covered in vines. There is also a row of espaliered fruit trees hedging the side of the property.

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